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davada

55 Audio Reviews

23 w/ Responses

Ive never experienced a cum-countdown before. That did more for me than I ever would have guessed.

This is the first porn that ever made me cry.

I could see this song being used for a game's main menu, or multiplayer lobbies. It's chill but it also makes me dance, like good weed smoked in good company. No section of the song overstays its welcome.

Would you call this experiment a success? I would, but what do I know? Do you know the person that you are? Are you allowed to be, or do you hold back for your own safety? You're allowed to, you know? You don't have to be ashamed of putting your safety first. That's instinct. That's natural. Protect yourself, but don't get lost in the castles you build for that purpose.

That intro is fucking bold as hell. I love it. That hit at :17 is fucking phenomenal. I love the vocal layering. It's seems like it should be a mess, but it's still so cohesive. That's a really fun sounding assortment of affects you have going on. I could see a bloody, twisted music video in the style of a Cyriak film.

CylrielOfficial responds:

Thank you very much! Honestly, I didn't want to release it in such a sick mental time, but I could not resist. Recently I said that I always write music according to my mood. Now, I'm even scared to listen to this, so I renamed in the project "dont open this project please"

I like the "call and respond" nature of the song.

Is this specifically the music for any affectionate scenes, or is this the music for specifically an orgy of affection? I could see this being a good song for Amythyst or Garnet moments, but not really Pearl or any of the other Gems really. If it's within the time budget, would you have a song for each Gem?

MetatronMusic responds:

This is actually a mash-up of the three different themes I had for the gems in Gem Blast. The funky drums are Amethyst, the piano is Pearl, and Garnet's theme replaced the bass with something more electronic. Originally we thought of doing themes per character in Beach City Nights, but ultimately decided to go with just one per grouping for time reasons.

Edit from 12/22: I was manic as shit when I wrote this, what a fcuking spaz

You hit me in unexpected ways with them deep noises in the beginning. Tell me why I rolled my eyes at the intro, but damned if I wasn't in the middle of song writing, got a little inkling, did my quick pop-off and then was about to get right back to writing when I realized this script hit me exactly as intended.

I feel no guilt or shame in this moment. But something deeper. More primal. An indignation as the clarity sinks in. I truly am no better than any man on this Earth. I tell myself this all the time. I try my damnedest to stay humble on this little marble we spinnin' on. I have no place rolling my eyes at any script in the world.

I'm thankful newgrounds leaves the file where I left it, so when I come back I can check out the rest of it.

My life led me here in to this moment. I don't know if that's strange, normal, or somewhere else entirely. I hope your moments are pleasant, Miss Bunni. Thank's for the easy O, that's a W for you. And to the script writer, an unsettling realization that there were three people involved in this one tonight, and that's how it is every time I use porn and I just never realized it. And that's a revaluation I feel I could write a song about. Taking a moment to think of the sound mixers and lighting people and script writers and animators and actors and voice actors and directors that were all very real people doing very specific things to get a specific result from people like me, and the way each of those moments would shape me as a person going forward from them.

I feel like this got weird, but I'm about to go to bed and I don't want to lose this train of thought to the Sandman. Hope I said something helpful in all that. I am trying to come at this from a place of, "You are showing support, don't be weird about it" but feel I do a bad job of both sometimes. Too rambley. I can edit the review in the future, so fuck it. Come to think of it, I'll have to since I stopped it at just past 1/3 through. I hope you sleep and wake well on this and every day. Thank you for your performance. Coulda just said that. Now I got inspiration for a 9th or 10th song and I'm still tryin to get the 4th finished. Why is art so weird?

BunniMilk responds:

Hoh my gosh, this review made my fucking day; it's one of the first things I woke up to aside from people tweeting about our heatwave.
I appreciate the feedback and don't sweat it about rambling; I myself do that too so I totally understand wanting to get out all that word vomit before it leaves your head.
One question though- What deep noises hit you in unexpected ways? I'm considering if it's the moaning or just my voice in general. Also, I will say the original piece of audio I did actually had the name of the script writer "Jeremy" all throughout so I'm surprised no one has noticed any cuts where I put in "master", "sir" or cut out the name altogether.
Anyways- once again- thanks for the review, it's the best thing I've seen all week. Have a good one, hope you sleep/slept well.

oh my. This might be the 5th or 6th song I put lyrics to, if my ADHD don't pull on me to wildly. Your CC By 4.0 means that's fine, right?

I can hear a sad love song pouring out my throat, loving someone that only wants to play games, but the games are fun, so I don't mind too much. It hurts, but it's fun too. Been there lmao.

Buoy responds:

Of course, feel free!

Welcome to 2021. This was a song I'm happy I could hear.

The first 25 seconds are incredible, but the buildup to the 40 second felt like you were about to go crazy with it. I feel like that's probably my fault for being let down, since when I think happy hardcore, my first thought is {Run Away} by DaGrahamCracka, which I now realize is a high bar to have set. The song does do a good job of continuing and escalating from there though doesn't feel like the song overstays its welcome or gets too repetitive. The 49-52 and 1:55-2:02 second marks hits hard as fuck. 1:49 to the end is really where I feel the song shines brightest to me, making for a strong 3rd act and an amusing finale. My only negative remarks would be that, based on both the beginning and the end of the song, and your prior work, the section that was 1:04 - 1:54 were much softer than they could have been, but that's of course just one man's opinion. Should that have been the intent, then of course your vision was realized and that's all one can hope for. I hope that wasn't too much. Have a wonderful day.

dj-Nate responds:

Hey thanks for the great review!

This was really cool, wish it had been longer though, was really vibing.

This was definitely worth clicking the youtube link for. An incredible experience. You managed to invoke sounds like the Doom OST, Godsmack, Nirvana, I felt a bit of Manson too. I had to go back and listen to it over to make sure I wasn't just tripping, cause that was a musical journey for sure. I absolutely love the vocal effects in 1:45-2:07 to pieces. That transition at 3:33 is sick nasty too. I really love this. It's just oozing personality. Thanks for sharing.

ORI-TAGGART responds:

Thank you very much! I'm glad you enjoyed the song. There will be more where that comes from soon so look forward to that!

I'm here and I'm ready to be here for you. You don't have to do this alone anymore.

Age 32

Staying alive

Years ago

Mountains

Joined on 5/23/07

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